I just finished scoring “November Criminals” for Sony, starring Chloe Moretz. It comes out later in 2017. Some of the cues are over on the work page. We recorded the strings at The Village.

I’m working on a new record release of recent compositions... should be ready to go by March 2017. Some of the works-in-progress are under "The City Across The Water" over on the work page.

We have just launched a wonderful, super-high quality music library, which is stuffed to the brim with lovingly created cues by yours truly and some of the finest composers and musicians in Los Angeles. It's already being used on several TV shows. The Uncommon Library is here:

http://www.uncommonlibrary.com

I am working on music for a film by award-winning documentary-maker and humanitarian activist Meena Nanji. The film will premiere at the Los Angeles FilmFest in June.

Michael Garber’s poignant documentary “A Cemetery Remembered” has a score by me and the excellent Nick DePinna.

I heard my choral setting of “Ash Wednesday” sung by the choir of St Michael’s, Cornhill, in the City of London, at a memorial service for my mother.

I've also been busy keeping up the flow of music to ABC for 20/20, Nightline and several of their other primetime shows. Generally the kind of music they ask me for means I spend hours devising new sounds and textures, delving into the rows of instruments in the studio, and generally trying to find new ways to coax strange sounds out of them, then setting up microphones and recording the most striking sounds I can make.

One of my choral pieces was recorded in December by the choir of St Michael's, Cornhill, under the direction of the excellent Jonathan Rennert. The church is right next to the Bank of England in the heart of the City of London, and has an interesting choral history, for me at least: Harold Darke, the composer of "In The Bleak Mid-Winter", (or at least of the setting I prefer…) was organist and choirmaster for several decades in the 20th century. My mother seemed to think he was a distant cousin, and I am only too happy to claim the connection… I love that carol. Sometimes I think every piece I write is a carol in disguise.

I have a couple of carols in the works, but you wouldn't believe how hard it is to find good texts. And on that note, I am working on a choral setting of "Ash Wednesday" by T. S. Eliot, which probably needs to be ready by Ash Wednesday, otherwise it'll be another year before it gets an airing.